Journey, home and homecoming are universal themes, portrayed time and again in a stock story line. But they can be all the more powerful when depicted with characters who were once total strangers; but now find themselves thrown together by misfortune that becomes the catalyst for a semblance “family” where one never existed before. Such is the story line in Jackie van Beek’s slow-burn film, “The Inland Road.” To read a review of Mountain Shadow's selection for January, 2018, click on the image above.
Nearly sixty years ago, words like “liberated” -- let alone “empowered” -- were terms hardly associated with a woman’s role in Western society. Now, in an era when TIME magazine’s “Person of the Year” are a group of women known as “The Silence Breakers,” it’s almost quaint to recall the scientific community’s surprise when a young British secretary with no formal training in their field made the cover of The National Geographic magazine in 1965. To read a review of Brett Morgen's documentary, JANE, click on the image above.
LOVING VINCENT is the world’s first fully oil painted feature film. First shot as a live action film with actors, the film was then hand-painted over frame-by-frame in oils. The story line is a standard murder mystery. The total charm of the film, however, is to be found less in the who-done-it-if-Vincent-didn’t storyline; and more in the manner in which each character vividly comes to life as if van Gogh had painted them through his own artistic eye, in his own style. The film was Mountain Shadow's selection for November, 2017. Click on the image above to read a Mountain Shadow review.
When I see a limber ballet artist bend themselves in half or defy gravity by flying through the air like a leaping gazelle as a form of human expression, it is nothing short of pure poetry in motion. Capture such visual expression with the eye of a director’s camera and a realistic script and you have the makings of a good film like “Polina.” This was Mountain Shadow's selection for October, 2017. To read the Review, click on the image above.
Mountain Shadow's 3rd Annual Short Film Competition was held on September 15th & 16th in the Las Lomas High School Theater. Thirteen filmmakers from across the country (as well as Nils from Belgium) presented their terrific collection of short films to a total audience of nearly 600! Each film was a winner in its own right. Click on the photo above to read the results of the combined audience ballots from the two shows and awards presented to the filmmakers! To read the full review, click on the image above. To watch a YouTube presentation of the filmmaker's personal statements about their works, click here.
What better way to try to express the elusive and most inexplicable meanings to be discovered in our lives than in the finest expressions of language, art, music, and perhaps the most powerful form of modern communication, film? In this regard, Patrick Shen’s cinematic pursuit does an eloquent and masterful job of what one contributor in the film calls “the language of the great silent spaces.” You can read a full review of Mountain Shadow's selection for August, 2017, by clicking on the image above. Following his in-person presentation, the filmmaker sent the following message to Mountain Shadow: "Thanks so much for screening the film. I’m so impressed with the important work you’re doing to bring these “small” films to Walnut Creek. Your membership is engaged and thoughtful. A dream for a filmmaker. Thank you again." - Patrick Shen
If honesty is its own reward, the payoff may be hard to measure sometimes. That is, until a full recompense is made for others who try to work both sides of the street between feigned pretense and downright duplicity. That’s the question that’s left up to the viewer to decide in the last few fleeting and startling seconds of Kristina Grozeva and Petar Valchanov’s Bulgarian film, “Glory.” This was Mountain Shadow's monthly film selection for July, 2017. Click on the image above to read the Review.
[Mountain Shadow's show for June, 2017] - In Ken Lough’s newest, I Daniel Blake, the disabled and unemployed craftsman finds himself caught up in an unwieldy bureaucratic system that only identifies human beings as case numbers to be processed; rather than human beings to be lifted up when the vicissitudes of life’s happenstances have dealt them more than a blow or two. Fortunately however, indifference is not impervious. Click on the image above to read the full review.
A review of "LOST IN PARIS." [Mountain Shadow's show for May, 2017] - While the film-making team of Abel and Gordon don’t credit Chaplin directly as the inspirational source for their latest work, they readily acknowledge they are part of what they call the professional “actor-clown” tradition; with what they themselves dub as “burlesque comedy.” In this, their latest film, the dialogue is minimal; leaving facial expression and body movement to tell a tale that’s sheer comic delight. This was Mountain Shadow's selection for May, 2017. Click on the image above to read the review.
"Jeremiah Tower: The Last Magnificent" - [Mountain Shadow's show for April, 2017] - The popularity of Anthony Bourdain’s well known series, Parts Unknown, is all about revealing people and places as yet undiscovered. But what about the first well-known “celebrity chef” who, to this day, remains an unknown mystery? The answers are not to be found in some secret recipes, but in a study of one extraordinary man’s unique personal gifts and baggage. This was Mountain Shadow's selection for May, 2017, and a Bay Area premiere.Click on the image above to read a Mountain Shadow review.